Monday, December 28, 2009
Andy Williams on 'Glenn Beck'
GLENN BECK, HOST: Welcome to our Christmas special.
President Ronald Reagan declared his voice a national treasure. He recorded 18 gold, three platinum albums, and hosted his own variety show throughout most of the 1960s and he's 82 and still performing today. This man on this cover — he has a new memoir out now. It's called "Moon River and Me."
Merry Christmas, Andy Williams. How are you, sir?
ANDY WILLIAMS, "MOON RIVER AND ME" AUTHOR: I'm very well. Merry Christmas to you and to all of the servicemen and women around the world that you are celebrating with tonight. We love them all and appreciate what they are doing for us.
BECK: So, Andy, I'm looking at you, and are you — is there some sort of freaky time thing that you've done because — have you been cryogenically frozen for years?
WILLIAMS: No, I guess I just have — I have lucky parents, I think, right? I'm lucky to have the parents that I did. Thank you very much.
BECK: You've been performing since you were 7 years old. You are 82 now and you're still doing — you're still doing your Christmas show which I grew up watching every single year.
WILLIAMS: We do it — we do it for five or six weeks in my theater in Branson, and then after we close there, I decided to do about eight different shows here throughout California.
BECK: This album, Andy, I spoke to you on the radio and I said, some of my biggest Christmas memories have all happened with this in the background in my memory. I have to share something and most people don't even know this song, but you'll know it if have this album or your parents listened to it.
Do we have "Little Altar Boy"?
BECK: I wanted to ask you about this song. My — when I was little, my mother used to play this all the time and she used to come up to me on this song and she would put her hands on my shoulders, and I'll never forget, every time, she'd say, "I love this song." And then she would say.
WILLIAMS: I do, too.
BECK: And then she'd say, "You're my altar — you're my little altar boy." I — my mother when I was little committed suicide and I lost her, and it wasn't until I was in my 30s that I understood what she was saying to me with this song, that it is about redemption and she was too afraid to approach the Lord herself and say, "I'm sorry, I want a second chance."
Do you think, Andy, that that is the message of Christmas, that it's just about second chances?
WILLIAMS: Well, it might be. I hadn't thought about this song in that way, but my golly, that story you've just told is so heartbreaking.
BECK: What does — what does this song, what — I mean because that's — I mean, that's my interpretation of it because of what I lived through. What is — what is the general interpretation of this song? What does it mean?
WILLIAMS: Well, I think it means that we are all God's children and this is a little altar boy and he is living in the beam of God, of Jesus.
BECK: Have you — have you seen a change — because you've been doing the Christmas special now for so long — have you seen a change in American audiences at all or are we the same people that we were? I think that if we could capture who we are at this time of the year, if we could do that all year long, we'd be fine. Are we the same people that we were in the 1960s?
WILLIAMS: I think we're — I think we are better. I think we have — I think everybody has grown and grown now more and more into thinking for themselves and believing in America and speaking their minds out about what they feel is best or what we should do.
I feel that there is — and the audiences that we are getting on the road with this Christmas show, I have — I feel a great deal of hope from the audience and they seem very, very up. They are not depressed. They are not down. They are very much into today and taking care of business as Elvis Presley would say.
BECK: Yes. I think we're — I think no matter which — I don't want to make this about politics — no matter where you come from, no matter what you believe, I think we are becoming a more spiritual people. I think maybe we did it for awhile after 9/11 and then we lost it again. The more we lose, the more humble we become. The more we are driven down to our knees, we can actually kneel in front of the manger and see the baby and see what it's really all about.
WILLIAMS: Well, I feel that a great deal on the shows that we're doing, I can tell near the end of the show, the last, say, 25 minutes, when I sing, I sang the more sacred songs, "Ave Maria," and — well, we don't do "A Little Altar Boy" in this particular show, but we do one called "Mary, Did You Know?"
BECK: Yes.
WILLIAMS: Which really touches, really touches the audience. And they feel it and they know they know what it means and they — and then when I do "Silent Night," that really resonates with the audience today — I think even more so than it did before. And I have done a lot of Christmas shows.
BECK: Andy Williams, it is really truly an honor to talk to you.
Thursday, December 10, 2009
Roy Rogers Theater Closing, Trigger going to Mothballs
The attraction, which moved to Branson in 2003 from Victorville, Calif., is closing later this month, according to a news release.
The Rogers family cited a combination of factors in the decision, including the overall economy and a lack of visibility; the museum is located at 3950 Green Mountain Drive, away from the main Branson Strip.
The museum includes an extensive memorabilia collection, including Roy Rogers' first guitar, the mounted figures of his horse, Trigger, and Nellybelle the Jeep. Roy Rogers died in 1998, and his wife Dale Evans passed away in 2001.
The family hopes to find a single buyer for the collection, but it could be auctioned off in pieces as well.
"Roy said, `At the end of the day, it's just things,'" Dustin Rogers, Roy and Dale's grandson, said in the release. "He didn't want it to be a financial burden to anyone."
The theater is owned by Branson developer HCW LLC, which also built Branson Landing, and the Rogers family has time left on its lease, according to the release.
Roy's son, Roy "Dusty" Rogers Jr., said in the release that he hopes the legacy of his father - who was in 88 films and more than 100 episodes of his TV show in the 1940s and 50s - will live on in the future.
"Kids today don't know who Roy was," he said in the release. "But what he stood for - the morals - don't get old, and that needs to be passed on. My dad was in show biz for 60 years, and he never failed anyone."
The family's show business career will continue, as Dusty and Dustin's group - Roy Rogers Jr. and The High Riders - will perform the morning show at the Mickey Gilley Theatre beginning in March. The group, which performs cowboy and Western music, plans to add more contemporary music to the act while maintaining a traditional feel.
Rogers said the theater's proximity to Mickey Gilley's restaurant - a big draw for motorcoach tours - was part of the reason for the move.
"Mickey Gilley's Theatre is the perfect venue for our show, and we're just thrilled to be teaming up with him," he said in the release.
Thursday, December 3, 2009
Andy Williams is "SICK OF TOURING" But the Money's Good!
“Well, I wouldn’t say ‘sick’ of it; maybe I get ‘tired’ of it,” says Andy Williams, taking a break between holiday shows at his Moon River Theater in Branson, Mo.
Every year, he runs through eight shows a week, starting Nov. 1. This year, when Christmas Eve rolls around, he’ll be belting out “It’s the Most Wonderful Time of the Year” for high-rollers and buffet-grazers in Las Vegas December 23 and 24 at the Las Vegas Hilton.
“I’m not looking forward to it,” he admits. “It doesn’t seem like a Christmas kind of crowd. But I took it because it pays a lot of money.”
Try $200,000, to be exact — not a bad payday for two gigs, whether you’re sincerely channeling the holiday spirit or not.
The Andy Williams Christmas Show: He may be a tad “tired” of the holidays by the time he hits Vegas on Christmas Eve, but Andy Williams and the cookie-begging bear (wearing the same bear suit featured in all those TV specials) promise to be on the mark when they hit California. 8 p.m. Dec. 22. $69.50-$99.50. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. http://www.wellsfargocenterarts.org/.
P.S. HAPPY 82nd Birthday TODAY!!!
Sunday, November 22, 2009
Longtime bookeeper rips off Andy Williams
Fifty-four-year-old Dawn Cleveringa, of Branson, has been charged with one felony count of stealing and one felony count of forgery according to court documents filed on Nov. 18 in Taney County.
According to court documents, Cleveringa appropriated currency from the Moon River Theatre, for the purposes of personal gain.
The report stated she drew excessive payroll and bonus payments, issued company checks to herself and payed her personal credit card debt by issuing checks to her credit card companies.
The total amount taken was $686,203.78.
Cleveringa was also charged with the class C felony crime of forgery by allegedly having the purpose to defraud the Moon River Theatre and Andy and Bobby Williams.
Cleveringa allegedly authenticated checks from the Moon River account at the Ozark Mountain Bank on at least four occasions. The four checks totaled $20,000 and all four were allegedly forged with Andy Williams’ or Bobby Williams’ signatures.
Cleveringa was arrested by the Branson Police Department on Nov. 18 and was later transferred to Taney County Jail where she is being held under a $40,000 bond.
Cleveringa was terminated by the management of Moon River Enterprises in April of this year, officials said.
Cleveringa could spend five years to 15 years in prison if convicted of stealing.
If convicted on the forgery charge, Cleveringa could face imprisonment in the custody of the Missouri Department of Corrections for a term not less than two years and no more than seven years.
She could also face a fine of anywhere between $5,000 and $20,000.
No court date has been set.
Thursday, November 19, 2009
COCAINES SURFACES IN TAYLOR SWIFT LAWSUIT!!!!
'Cocaine' Surfaces in Taylor Swift Lawsuit
"Cocaine" is never free ... neither is Taylor Swift, John Fogerty and the Harper Valley P.T.A. -- this according to the secret agents who claim they caught an Idaho sports bar playing music they hadn't paid for.
BMI -- the enforcers of music royalties -- sent a spy to The Sports Cellar bar in Idaho to see if they were playing music they hadn't paid for the rights to use ... and according to court documents, this is what they heard:
-- Cocaine
-- Amarillo By Morning
-- Harper Valley P.T.A.
-- Long As I Can See the Light ... by John Fogerty
-- She Thinks My TRACTOR'S Sexy
-- Here Without You
-- Should've Said No .. by Taylor Swift
-- I Get It
-- Five Dollar Fine
-- Gotta Get Me Down Home
After the recon mission, BMI, Taylor Swift and several recording artists filed a lawsuit against the bar for copyright infringement.
So why would the secret agents for BMI target little podunk bars? Because they're sending a message to every small joint in the county -- Big Brother is always watching.
Taylor Swift sues a small bar over KARAOKE!
When Garth Brooks does it, it's just expected. But TAYLOR SWIFT??? How can my favorite pop singer be so "HEARTLESS?"
Many the local Branson show can tell the woeful tales of dealing with ASCAP and BMI and their treats of doomage and demands for tens of thousands of dollars just to play a live show.
Here's another story on the MUSIC NAZIs! (BMI and ASCAP)
Swift Sues Sports Bar After Sting Operation
Swift has attached herself to a copyright infringement lawsuit spearheaded by BMI -- the enforcer of music royalties.
According to a lawyer connected to the case, BMI deployed an "agent" to go on a recon mission at The Sports Cellar bar sometime last year, and the agent noticed the bar was playing music -- including Taylor's stuff -- that they hadn't paid for the right to play.
We're told they even used the allegedly stolen music for Karaoke!!!! Have they no shame?!
Swift and co. are suing for unspecified damages -- but compared to the millions she's raking in right now, this thing in Idaho is totally small potatoes.
Read more: http://www.tmz.com/2009/11/19/swift-sues-sports-bar-after-sting-operation-2/?icid=main|main|dl2|link1|http%3A%2F%2Fwww.tmz.com%2F2009%2F11%2F19%2Fswift-sues-sports-bar-after-sting-operation-2%2F#ixzz0XLzExQEq
Wednesday, November 4, 2009
Although Homeless, The WARNOCKS are still singing!
The Warnocks moved to Branson from Cody, Wyoming approximately six years ago and have been grinding out shows wherever they can here in Branson and on the road. Landing a spot with Andy Williams is their dream come true. They recently toured to England with Williams for a performance at The Royal Albert Hall in London, and will tour again in December to California, ending a 10 day Christmas road show on December 23rd and 24th in the main show room at the Las Vegas Hilton.
Not bad work when you can get it.
The Local "Stars" turn out for the Christmas Parade this Saturday.
(Try not to laugh when you read the "102 Million Households" line! That's almost as many households as GENE WILLIAMS says he has! (Inside joke, sorry.)
Triple platinum recording country artist Neal McCoy is among the host of celebrities in the Third Annual Holiday Promenade of Stars set to roll at 10:30 a.m. on Saturday, Nov. 7, on Highway 76 in Branson, Missouri.
McCoy joins Andy Williams, Tony Orlando, Cathy Rigby, Debby Boone, the Lennon Sisters, and Jimmy Osmond who will not only be in the parade but also take the stage in front of the TitanicMuseum for a parade route performance.
Williams is serving as grand marshal and Osmond and Boone are serving as hosts for the television special being made during the 1.4 mile-long parade that ushers in the Christmas season in the entertainment tourist town. The parade route begins at White Water and ends at the Grand Village.
Along with Williams, Osmond, Boone, the Lennons, Orlando and Rigby as Peter Pan are Johnny Lonestar, Penny Gilley, Jeff Brandt, Clay Cooper, the Haygoods, Todd Oliver and Irving, and Jim Barber and Seville who will also be performing on stage. Also taking a turn are the Knudsen Brothers, also known as SIX; Showstoppers! from the Showboat Branson Belle; the "Spirit of Christmas" dancers; and the cast of "A Dickens' Christmas Carol" from Silver Dollar City. The Baldknobbers, Blues Brothers from "Legends in Concert," and the Branson High School Cheerleaders are also scheduled for stage appearances.
The television broadcast schedule is for Thanksgiving and Christmas day to an estimated 102 million plus households across the nation. In the Springfield/Branson area the parade special will be televised on KSFX Ozarks FOX. In Branson on the Vacation Channel it will be aired six times: Thanksgiving Day at 8 a.m., Nov. 27 at 8 p.m., Nov. 28 at 8 p.m., Nov. 29 at 8 a.m., Nov. 30 at 8 p.m., and Christmas Eve at 8 p.m. National broadcasts are on RFD TV and Retro Television Network (RTN). RFD TV is carried on several satellite and cable providers including over 625 independent cable operators to 42 million households and RTN is seen in 17 of the top 25 markets to more than 60 million households on nearly 100 stations in cities such as Pittsburg, Atlanta, Seattle, Orlando, St. Louis and Boston, according to Nielsen ratings.
Monday, November 2, 2009
Mickey Gilley Recovering From Life-Threatening Accident
Mickey Gilley, whose country hits include 'Stand By Me,' featured in the iconic 1980 film 'Urban Cowboy,' continues to recover from serious injury to his neck and spinal cord suffered this past July.
Mickey, 73, was helping a friend move a 40-pound piece of furniture when he backed out through the threshold of a door and fell backwards, leaving him temporarily paralyzed from the neck down.
"When I got to ICU, when I woke up, I was still paralyzed, but then things began to slowly start to come back," Mickey tells us via phone. "My arms started back first, and then my right leg, and now I've got [movement] in both legs and both arms. The only thing that's giving me a problem now is my hands, but the doctor seems to think that when the swelling completely goes down in the spinal cord, that my hands should come back. It was very scary because I panicked when I woke up and couldn't move."
Mickey, who scored five ACM awards in 1976, including Entertainer of the Year, is now in physical therapy four days a week, concentrating on trying to walk again.
"I've walked a little bit with some help. They put me on a little four-wheel dolly, and I walked 454 feet. Then one day I walked 300 feet. Then they put me on a [machine which] helps you walk. It helps your legs up, and they put a certain amount of weight down on you on a treadmill -- about half of what your weight is and you walk on that. I've done that a couple of times. But you're strapped in and they hold you up when you're walking."
Mickey remains uncertain when he may return to perform at his Mickey Gilley Theater in Branson, Mo. "I don't know whether I'll get back this year at all because I'm not able to walk yet. But, hopefully, I'll get back next year. I've got my restaurant there. Hopefully I'll be working next year. I'm planning on it anyway."
While Mickey's spirit and attitude remain positive, he would welcome prayers that he'll soon fully recover, especially in his hands so he can play the piano and perform again.
Sunday, October 18, 2009
Tuesday, October 13, 2009
Exerpt from Andy Williams New Book Released Today
I was too choked to speak, and Mom answered for me: "Of course he will, George. You know
Thursday, October 8, 2009
Wednesday, October 7, 2009
Paul Revere will Return to MOON RIVER THEATRE
Yakov Ponies Up a Few Bucks to Branson Schools
ANDY WILLIAMS:"The Day I Dropped Acid"
Yet in a fascinating – and movingly honest – new autobiography, Andy Williams, now 81, makes a confession that will stun his millions of admirers...
I first met Claudine Longet in 1961 when I was performing in Las Vegas. By that time I was appearing regularly on TV and had a number of hit singles, including a No1, Butterfly.
Precious moment: Andy with wife Claudine and children Noelle and Christian at home in July 1965
Claudine was 19 and appearing at a Folies Bergere show. She didn’t speak English and my French was useless, but we were able to communicate enough to date for the entire time I was in Vegas. After my stint finished, I followed Claudine back to Paris, where I proposed. Her English must have improved because it took her just a fraction of a second to say yes.
We married in December 1961 and two years later our daughter Noelle was born. We went on to have two more children – Christian was born in 1964 and Bobby arrived in 1969.
That same year, I returned home after being away on tour for two weeks. As I poured Claudine and me a glass of wine each, she told me we needed to talk.
‘I can’t go on living like this,’ she said. ‘The kids and I hardly ever see you and when we do, you’re preoccupied, or on the phone with your manager, or the studios. And...’ She paused for a moment. ‘And things aren’t the same between us.’
She was right.
The thrill I used to get when I saw her walking towards me had faded. The private, intimate looks we used to exchange were less frequent, but until that moment I had not understood how far down that path we had travelled. Claudine had fallen out of love with me.
We knew what we were losing, but we couldn’t undo what had already been done. I think it broke our hearts, but in the end we agreed to split.
My marriage was over and I had to live with the knowledge that I bore responsibility for that. The decision made, there seemed no point in delaying so I packed a bag and moved out.
Being on tour was a way of hiding from my problems for a while, but they were still waiting for me when I returned. Whether because of the parting from Claudine or for other, less tangible reasons, my life was in turmoil.
The last person I saw there was the psychiatrist. It was a surreal moment as I lay on the black leather couch in his book-lined consulting room, while he sat behind me in a straight-backed chair with a notebook on his knee.
It was such a cliched scene – I had seen it in films a hundred times. It was all I could do not to laugh, even though my reason for being there was entirely serious.
After I told him my life story, he said: ‘You might be helped by taking LSD treatments.
You could see a shrink for years trying to find out why you’re not happy, but with LSD you might do that in just a few sessions.’
LSD was at the time seen as a miracle drug, although doubts about it were beginning to surface, as Timothy Leary’s ‘turn on, tune in, drop out’ rhetoric drew unfavourable Press.
I persuaded Claudine to try LSD with me. I wonder now if I had really accepted we had split up for good or whether I clung to the hope that somehow it might be all right again.
In fact, by the time the first session was set up, the Scripps Clinic had bowed to pressure and ceased doing LSD treatment. Instead, I flew alone to Canada and stayed for a couple of weeks at a clinic while a doctor named Ross MacLean administered LSD and another hallucinogenic drug, mescaline, to me in different doses and supervised my trips.
The session took place in an antiseptic-looking room, watched over by Dr MacLean and his assistants.
The LSD was in liquid form, dripped on to a sugar cube or a tiny square of blotting paper. It was odourless, colourless and tasteless.
The mescaline was solid and had a bitter, musty taste – the first time I took it, I was sick. For my first LSD experience, nothing seemed to be happening at first.
‘I don’t think it’s working,’ I told Dr MacLean. He smiled and said: ‘Give it time.’
Then things did start to happen – shapes began shifting and changing, while colours and sounds intensified. I became absorbed in one object or sensation, totally unaware of anything else around me, but then I’d snap back to reality, spiralling in and out of awareness of my surroundings. I fought it at first, feeling a wave of panic at the loss of self-control, but as the drug took hold I relaxed and was engulfed.
Hours later, when I began to come down again, I could not have told you if minutes, hours or even days had passed. Dr MacLean gave me different visual stimuli and played different kinds of music, from soft and sensual sounds to marching bands, and noted my reactions.
'I spiralled in and out of awareness'
LSD gave me powerful feelings of euphoria – some sex-related – but also a sense of fear and despair. During one session I was even born again – not in the evangelical sense, but in believing I was experiencing the very painful physical sensations of birth.
I’m not sure if LSD did me any good, but one thing did come out of my stay at the clinic.
It was probably the first time in years I had taken a few days away from my career.
Between the LSD sessions in Canada I had time to reflect on the direction my life had been taking and to examine my priorities. I came to realise my children and my relationship with my family were the things that really counted.
Sadly, that realisation had come too late to save my marriage; it was fractured beyond repair. That had been my fault and I had to face up to life without Claudine. Although we separated, there was no personal animosity between us, just sadness that our relationship had come to an end. Even after we divorced in 1975, we remained on good terms. It was such an amicable divorce that we used the same lawyer to represent us.
As part of the settlement, Claudine kept our beachfront house in Malibu. Despite what had happened, I was determined to remain a good friend to her, if she ever needed me, and to be a good father to our children.
I tried to fit family life around my work as much as possible and sometimes I took the children on tour with me, but they also had to deal with the drawbacks of being children of a celebrity.
Noelle once said: ‘I loved being with you, Papa, and always wanted to be with you. The only problem was that everybody else in the world did, too.’
In one way the break-up of my marriage may have been less traumatic for my children than for other kids. I had been away on tour so often they were already pretty much living just with Claudine and seeing me only at weekends and holidays, an arrangement that continued in much the same way after we split.
Years later, my son Bobby admitted that for years he hadn’t realised his mother and I were divorced. In my less self-aware moments, I might almost have taken that as a compliment. But what it really revealed was how distant I must have been in the years before we separated.
It has been said that the only inscription you never see in a graveyard is ‘Wish I’d spent more time at the office’, and my greatest regret is that I didn’t spend more time with my children when they were young.
Despite growing up with every material advantage, my children haven’t become spoiled, rich kids, celebrity fodder for trashy magazines. They are grounded, normal people.
For that, Claudine must take the lion’s share of the credit.
Why I had to say No to Frank Sinatra’s wife
Frank Sinatra and I were neighbours for a while when he was married to Mia Farrow.
My relationship with him was good, although it is doubtful things would have stayed that way if he had seen an incident with Mia one night.
I was having a drink at a popular nightclub, when Mia walked over and said: ‘Andy, do you want to dance?’
Neighbours: Andy in the Sixties with Frank Sinatra - 'a loyal friend who had a vindictive side'
As soon as we started dancing, she put her arms around my neck. Fooling around with Frank’s wife on a crowded dancefloor wasn’t a smart move and I tried to ease away, saying: ‘Mia, this really isn’t a good idea.’ She laughed.
A few seconds later, two of Mia’s friends came over, disentangled her from my neck,
and said: ‘Come on, Mia. Time to go home.’ Sinatra could be a loyal friend, but he had a vindictive side.
I saw that one evening when I was having dinner in Palm Springs with Frank and about eight other friends, including the actress Lucille Ball and her husband Gary Morton.
Frank seemed relaxed, wise-cracking, until a drunk accidentally spilled red wine over Morton’s suede jacket. Frank’s mood changed instantly. Although the drunk offered to pay for cleaning the jacket, Sinatra fixed him with a look that would have frozen a martini. He then muttered something to his bodyguard Jilly, who took the guy outside and broke his nose.
It was a mystery to me how someone like Sinatra, who could sing with heart-melting tenderness, could act with such cold cruelty.
I was just five when my three elder brothers and I first sang in public. Our father Jay was our driving force and moved the family from Iowa to Los Angeles to get us work, leading to radio shows and a contract with MGM.
But it was Kay Thompson, a singer, dancer, pianist and comedian, who persuaded us to become a nightclub act, cutting Dad out of the picture. The Williams Brothers went on to be highly successful, but by 1953 we had split and I moved to New York to work on my solo act with Kay.
I had always harboured a huge crush for Kay, despite her being 19 years my senior, and soon our work together became more than strictly business. A new career was not going to be easy. After the adulation I had enjoyed in the Williams Brothers, my early appearances as a solo singer were a brutal comedown.
I was earning so little on tour that I couldn’t afford to have my tuxedo pressed, so I made it a rule never to sit down in it.
The low point came in an unsavoury hotel in Cleveland, Ohio, where cockroaches could be heard scuttling across the floor.
I didn’t have two cents in my pocket, had not eaten all day and only had my dog Barnaby for company. That evening I gave Barnaby his dog food – big chunks of horsemeat and gravy. I was so hungry and it smelled so good that I ate a whole plateful.
Fortunately after that low point, I got a slot on NBC and a deal with a small record label. In 1957, Butterfly went to No1.
Moon River was recorded in more or less one take in 1962, as the time booked in the studio was running out. I never released it as a single, but it has become the song with which I’m always identified.
ANDY WILLIAMS: "OBAMA Wants the Country to Fail"
Andy Williams has accused President Barack Obama of being a Marxist with communist associates.
The 81-year-old 'Moon River' singer told the Radio Times that he was very close to Democrat Robert F. Kennedy, who was assassinated in 1968.
Williams said: "I was very close to Teddy Kennedy, too, and his death recently brought it all back. What a tragedy. Had he lived, I think Bobby would have been a great president."
However, he added of Obama: "Don't like him at all. I think he wants to create a socialist country. The people he associates with are very left wing. One is registered as a communist.
"Obama is following Marxist theory. He's taken over the banks and the car industry. He wants the country to fail."
Andy Williams Explains Giving ZSA ZSA GABOR Crabs
Tuesday, October 6 2009
Andy Williams has explained the story behind the rumour that he gave actress Zsa Zsa Gabor crabs.
"[Zsa Zsa] had the general of a military camp we played at out of bed at 3am and demanded he get her a down pillow because she couldn't sleep," he told Metro. "It's not easy to find one of those on an army base.